Faces of … Rajasthan

I was lucky enough to visit Rajasthan in India last year for just under two weeks with my family. We toured the state of Rajastjan flying from Delhi to Jodphur, then visiting Ranakpur, Jaipur, Udaipur, Deogarh and Pushkar, then Fatehpur Sikri and Agra. I took my fuji x-t1 with the 23mm f/1.4, the 56mm f/1.2 and the 50-140 f/2.8 lenses. Along the way we met a great number of friendly people. Speaking English is a bonus in India as most of the population also speaks English and therefore it is pleasant to chat and learn about the local culture and customs. I took a series of portraits with the 56mm (equivalent to 85mm in full frame terms), all of which were taken with permission.

The first set of portraits is of nomads camping outside our hotel in Udaipur. They don’t speak English, having never been to school. The words they know are like “toothpaste”, “comb”, “razor” and so on, items that are complimentary in hotels. Needless to say, I raided all I could from the hotel and gave it to them. I exchanged these gifts for a portrait of the mother who was cooking breakfast. The children who were playing followed me around for a little afterwards and let me take their picture too.

Fuji x-t1 with 56mm f/1.2 @ 1/60s + f/4 + iso 500
Fuji x-t1 with 56mm f/1.2 @ 1/200s + f/4 + iso 400
Nomad boy.
Fuji x-t1 with 56mm f/1.2 @ 1/600s + f/1.2 + iso 200
Street portrait... kids at play.
Fuji x-t1 with 56mm f/1.2 @ 1/800s + f/1.2 + iso 400

This young man is a student dressed in uniform. We met the whole class as we were walking to a park. The light was good in the shaded alleyway and I could have taken photos of every student there, they were all so friendly.

Fuji x-t1 with 56mm f/1.2 @ 1/450s + f/2.8 + iso 400

This photo was taken during a procession in the street. A young crowd was following a van carrying a statue of Ganesh and blaring out music and the people were following, dancing and enjoying themselves. They were covered with coloured powder. Our visit took place a week before Diwali at we saw a few of these processions during our stay. This is not the only photo I have taken in the procession but it is my favourite.

Fuji x-t1 with 56mm f/1.2 @ 1/125s + f/2.8 + iso 200

The next few portraits were taken at the Om Banna shrine near Jodphur. It is a temple dedicated to Om Singh Rathmore, a motorcycliste who was killed by the roadside in 1988. Apparently, the motorbike disappeared from the police station and was found back at the site of the accident several times. This was taken to be a miracle and a shrine to the deity of motorbikes was built. When we visited, it was busy and the people were friendly. The motorbike is still there in a glass cage and people offer incense, flowers and pray.

Fuji x-t1 with 56mm f/1.2 @ 1/680s + f/2 + iso 400
Portrait from Rajasthan (IV)
Fuji x-t1 with 56mm f/1.2 @ 1/1250s + f/2 + iso 400
Fuji x-t1 with 56mm f/1.2 @ 1/1000s + f/2.8 + iso 400
Fuji x-t1 with 56mm f/1.2 @ 1/1000s + f/2 + iso 400
Portrait from Rajasthan (III)
Fuji x-t1 with 56mm f/1.2 @ 1/1700s + f/2 + iso 200

The next photo is a guard at the city palace in Udaipur. As I gather, his earring means he is of the cast of warriors, the Kshatriyas. Although I am not sure of this, he was friendly enough to let me take a portrait!

Fuji x-t1 with 56mm f/1.2 @ 1/160s + f/2.2 + iso 320

This is a sikh, recognisable by the shape of his turban. He is called Lucky and was our driver during our trip. A lot of drivers for tourists are sikhs he told me. He was skillful anyway, negociating the Indian roads in a way I would never have been able to. Driving is chaotic in India!

Fuji x-t1 with 56mm f/1.2 @ 1/600s + f/2 + iso 400

This is a guard at the Taj Mahal. We were there very early in the morning after a huge downpour. The place was quiet, there were few visitors and the light was magnificent.

Fuji x-t1 with 56mm f/1.2 @ 1/1250s + f/2 + iso 400

This young lady is a guard at  Ambe fort in Jaipur. She was sitting in the corner of a huge (and I mean huge) courtyard, looking very bored. I went up to her and we chatted a bit. I found it easy in India to talk to all sorts of people, men and women alike. In some countries religious codes and pressires make it less easy to approach women. I’m not saying there a equal rights and that life for all women is easy but as a tourist, I felt there were no barriers.

Fuji x-t1 with 56mm f/1.2 @ 1/1250s + f/1.2 + iso 200

This is a dromadary rider at Pushkar. He lives by selling rides to tourists on the outskirts of the town. We were there near sunset and had a lovely ride in the dunes and sands.

Fuji x-t1 with 56mm f/1.2 @ 1/60s + f/2.8 + iso 400

Also in Pushkar, this is a worshipper of Vishnu. He is a Sadhu, having renounced earthly possessions to follow an ascetic life. The photo was taken without exchanging a word, just by an exchange of nods.

Fuji x-t1 with 56mm f/1.2 @ 1/5800s + f/2 + iso 400

I am an adept of getting up early when I am travelling and going out the walk the streets. I met this young man, sitting on his motorbike. He was genuinly surprised and I think a bit flattered when I asked if I could take his photo. You can see the morning light on his face, an added bonus to the picture.

Fuji x-t1 with 56mm f/1.2 @ 1/680s + f/1.2 + iso 400

Some thoughts about the lens i used :

  • Although it opens at f/1.2, this aperture is retrospectively too large for close up portraits like these. If there is no background to speak of then f/4 is the way to go. Otherwise, f/2.8 gives enough depth of field and gives a better chance for the eyes to be in focus.
  • Focusing is not very fast on the x-t1. For posed portraits it is plenty fast enough but don’t expect to snap off a portrait with a moving subject. From a further distance focus is less critical and it is possible to take moving subjects.
  • The colours the lens gives are great.
  • Sharpness when the focus is successful is fabulous.
  • I never used face detection, not reliable enough on the x-t1. I used a smallish focus point on the eye.

The x-t2 and x-pro 2 promise greater speed and precision with the focus. I may find out one day!



























The 35mm in street photography Part 2

The 35mm point of view is very good at capturing people in their environment. In this case I was quite close to the newspaper kiosk but still managed to get some of the magasines. This photo was taken in Madrid.

Fuji X100T @ 1/125s + f/2.5 + ISO 1000

Light and shadow always make an interesting feature. The lady was holding her smiley bag and waiting for someone/something. I took a first photo and as she noticed me and looked at me, I went up to her and explained what I was doing. I told her I wanted to capture the light and showed her the photo on the back of my camera. She said it was nice so I asked her if I could take another shot with her looking at the camera. She accepted and this is the second shot. The photo was taken in London.

Fuji X100T @ 1/4000s + f/4 + ISO 200

This is a picture of a metro station in Paris. I am the other side of the tracks from the bench. The station was empty and I took the time to kneel down and frame through the viewfinder. Sometimes when I’m in a hurry or when some people are looking at me, I have a tendancy to shoot from the hip looking down at the screen. Good framing is paramount and I remind myself to use the viewfinder as much as possible!

Fuji X100T @ 1/30s + f/2.8 + ISO 1250

This is a scene from my home town, taken quite close up. In some situations I use the Fujifilm iphone app to connect to the camera. In this case I was holding my camera in my hand, loosely down at my waist while framing and shooting through the app… ninja style!

Taking the sun
Fuji X100T @ 1/210s + f/4 + iso 200

This is another photo taken in London. The man was oblivious to my presence so I took the time to kneel down and frame carefully. I think that shots taken at the right height are often so much better.

Fuji X100T @ 1/240s + f/2.8 + ISO 200

This was a quick spontaneous shot taken while walking along a street in Canary Wharf (London). The alignment of office workers at lunchtime caught my attention. I was noticed but not questioned by the man in the foreground.

Luch break
Fuji X100T @ 1/1600s + f/4 + ISO 200

This is Canary Wharf again. The archways make a good place for light and shadows. As no-one was around, I knelt down and framed the arches waiting for someone to appear. This is the hunting style of street photography : find a place and wait for something to happen. I took several photos as people came through the scene. This one shows best the play between the light and the shadows.

Fuji X100T @ 1/420s + f/5.5 + ISO 200

This lady is in the Picasso museum in Paris. The place was full of tourists and visitors. I chanced upon the scene with this lady checking her make-up. I took a photo straight away with other people in the shot and then stayed in the same place waiting. Luckily I caught a fraction of a second where no-one was visible and took this shot. It has happened so many times that the subject moves away while I am waiting. On this occasion, I was lucky.

Fuji X100T @ 1/60s + f/2 + ISO 800

The 35mm in street photography.

The 35mm lens (23mm on apps-c and 17mm on micro four thirds) is the most used focal length for confirmed street photographers. The other popular lenses are the 50mm that has been used for decades and the 28mm. For information on the 50mm focal length, click here and here.

Fuji X100T @ 1/210s + f/3.2 + ISO 200

After lauding the qualities of the 50mm focal length, why am I now saying that the 35mm is better? Well, I’m not saying it is better, nor that you should ditch your new 50mm! There are certain qualities to the 35mm lens that you should take into consideration.

Fuji X100T @ 1/350s + f/2.8 + ISO 200

First off, 35mm are more difficult to make so they are more expensive. More often than not, a photographer will start out with a nifty fifty and I stand by the idea that it is a great lens whether you are a beginner or a confirmed photographer.

Elderly lady
Olympus omd-em5 + 17mm f/1.8 @ 1/320s + f/2.5 + ISO 200

The 35mm lens is wider than the 50mm so to capture the same scene, you need to get closer. Frank Capa famously said : “If your pictures aren’t good enough, you’re not close enough.”. He is telling us to get closer, and that is intimidating to a lot of us. The fact of the matter is that if you a close to your subject, the photograph will have a more dynamic quality. The viewer will get the impression that he is in the scene. This focal length sucks us into the scene.

Fuji X100T @ 1/125s + f/2.5 + ISO 1000

In in more crowded areas it is often difficult to get far enough away from a subject to capture it. I’m talking about crowded streets, buses, metros. You may find that a 50mm is too long and it is not always possible to move backwards. To remain discrete in the streets, your movements must be natural. Moving forwards is natural, stepping backwards is not and you will attract attention. If you notice someone you want a photo of, pick up some courage, take a few steps towards them, raise you camera and take the picture. You’ll be surprised how often the person won’t even notice or be bothered about it. If you are shy, don’t make eye contact and move away fast. If someone challenges you, say hello and explain what you are doing. If the person is offended then offer to erase the photo. Don’t get into an argument for a picture, it is not worth it and it is important to respect other people’s wishes.

Dancing in the rain
Fuji X100T @ 1/125s + f/4 + iso 400

The wider angle of a 35mm lens enables you to capture quite a lot of background. That means buildings and also other people. You’d be surprised how this enriches a photo it carries much more information.  I’m persuaded that this gives your photography a timeless quality. People will always be people but buildings and streets change over time. When looking at old street photos, I often look around at the background and wonder at how our urban environment has changed over the years. This is also true for clothes and style too.

Fuji x100T @ 1/1000s + f/2.5 + iso 200

The wider angle gives a perspective distortion that you can use to good effect. A close up portrait with a 35mm might not always be flattering (with a bit of care you can still get a good portrait) but for pets it can be amusing.

Olympus omd-em5 with 17mm f/1.8 @ 1/80s + f/2.8 + iso 200





The 50mm in street photography Part 2

I’d like to show you a few picture made with the 50mm focal length. Part 1 of this article can be found here.

With a 50mm lens, you can capture people in their everyday life and capture some context too. If you are close enough, you will get noticed and this makes for some nice interaction with the viewer.

Rue des ponts neufs.

This man noticed was looking through the books. As I framed, he looked up and I took the shot.

The bookworm

Sometimes you can get quite close and go unnnoticed. I remember framing the shot and then waiting for someone to appear in the reflection of the door. I took about a dozen shots and chose this one because I find that my eyes move from one person to the other. Groups of three have a tendancy to work well in a photo.


This is a photo I took sponaneously in Paris. You’d think I would have had time to think about the composition. I thought I did too! However after this initial shot, the weary traveller woke up, saw me and started waving his arms around. I think he’d had a bit to drink, I don’t really know and I didn’t hang around. I don’t mind showing this photo as I think he is pretty unrecognisable. I try to be careful and always erase photos if people don’t look too pleased about having their photo taken.


This man was looking at me all the time I approched the café where he was sitting. I framed and took the shot using the rear screen as I am still intimidated by lifting the camera to my eye sometimes in front of a stranger. I’m doing nothing wrong as I keep telling myself…


This picture was taken in Paris in the Jardin du Luxembourg, one of my favourite places in Paris. I got very close and the players took no notice of what I was doing.


This photo shows the limits of the 50mm focal length. I am too close to the subject and there is no way to move back as the man is ambling forwards. His hat is cut off and it is a pity. I still like the photo because I like his attitude but ideally a 35mm focal length would have been better here.






















The 50mm in street photography.

Let’s start at the beginning. It is commonly accepted that a prime lens in preferable over a zoom in street photography. But why? There are several good reason:

  • First of all, a prime lens is smaller than a zoom and being inconspicuous is important. The camera is also smaller and fits into a smaller bag.
  • Prime lenses are lighter. You shoulder/neck/back will thank you.
  • Framing and shooting needs to be done quickly because in street photography a scene can be very fleeting. Sometimes you can find yourself moving your camera to your eye and before you can press on the shutter, the scene has changed, the moment is gone.
  • Prime lenses are reputed to have a better image quality than zooms, although IQ (image quality) is good to have, there a few bad lenses. More importantly, prime lenses are faster : ie. they let in more light. A good (expensive) professional zoom will open to f/2.8 but  a “nifty fifty” (cheap 50mm prime) opens to f/1.8. A better quality prime will open to f/1.4 and it will let in 4 times more light than more expensive f/2.8 lens at a lots more that the kit lenses usually sold with cameras.
  • Some prime lenses are very special in the way they “draw” the photo. Leica lenses have this reputation. I own the fuji x35f/1.4 and in my opinion, it has an extra something…

    Fuji x-e1 + XF35mmF1.4R @ f/4 + 1/2700s + iso 200

As you see the 50mm lens is a great candidate to be the street photographers friend. It is also the cheapest prime lens.

The first difficulty when starting street photography is getting close enough. When you are close, people will see you. That makes it all the more difficult to raise your camera and take a photo. The 50mm is a “normal” lens, it is wide enough to let you capture a scene and at the same time it is “telephoto” enough to let you stay far enough so you are not noticed.

Marché des Jacobins
Fuji x-e1 + xf35mmF1.4R @ f/1.4 + 1/2000s + iso 200

The longer the focal length, the better bokeh you get when you are close to your subject. Bokeh is a Japanese word that means he visual quality of the out-of-focus areas of a photographic image. It is noticeable especially in the highlights (the bright areas) of a photo. With a lens that has good bokeh, the subject is well separated from the background and stands out well. With a 50mm prime lens open at f/1.8 or f/1.4 it is relatively easy to get a good background separation. This is not the case with the standard kit zoom lens that is bundled with a lot of consumer grade cameras.

Fuji X-T1 + XF35mmF1.4R @ f/1.4 + 1/280s + iso 200

The 50mm focal length is great for portraits as well. Be it a head shot or a head & shoulders shot, this focal length gives great rendition of faces. Beware though, it is not the focal length studio photographers use for portraits usually : a small telephoto (90mm to 135mm) is often preferred because you can stay further away from your subject while keeping a good bokeh and getting much less distortion on the face.

Fuji X-T1 + XF35mmF1.4R @ f/2 + 1/1500s + iso 200

In conclusion, the 50mm prime lens is cheap and lightweight, versatile in the sense that you can capture a scene and grab a portrait, and you get fabulous image quality! If you are starting out in street, travel or documentary photography , you should seriously consider getting one.

Fuji X-T1 + XF35mmF1.4R @ f/1.4 + 1/40s + iso 200

A few words on equivalence…

Photographers speak in focal lengths when talking about lenses. When I talk about the 50mm lens, I am talking about a focal length on a 24×36 film camera or on a “full frame” digital camera. Most of us own a camera with a small sensor called apps-c, micro four thirds, 1 inch or even smaller. There is a “crop factor” to consider in these cases so that the apparent focal length stays the same. (That also goes for the aperture of the lens in the way it blurs the background). A smaller sensor give less blur.

  • On an aps-c sensor (Fuji x series, Nikon D3000, Nikon D5000, Nikon D7000 series, Sony 6000 series etc) the crop factor is 1.5 and 50/1.5 is roughly 35 so a 35mm lens on this sensor will give you the same field of view as a 50mm on a full frame. I own the Fuji 35mm f/1.4 and I say it is my 50mm lens.
  • Canon apps-c sensors have a crop factor of 1.6. Their crop sensors are smaller.
  • On a micro-four thirds sensor, the crop factor is 2 so you need a 25mm lens.
  • On smaller sensors there are no interchangeable lenses to my knowledge now that the Nikon 1 series is discontinued…(just a rumour so far…)
Fuji X-T1 + XF35mmF1.4R @ f/1.8 + 1/1500s + iso 500


Why should I start street photography?

Why should I start Street Photography?
    This should be a fairly straightforward question for each reader to answer. If you have clicked on this link and are reading this then you already know. Either you feel the appeal or you don’t… and I do. I started photography in 2008 and my first street photo dates from 2013. It is a picture of a street musician in Paris in front of Montmartre. I had a D800 and a Zeiss makro planar 2/100, nice equipment indeed! Over the top even. Up to that point, my main focus was on portraits : my family, friends, their dogs… in colour and in black&whire. It felt natural one day to turn to the streets for photographic material…

Please ask for permission before publishing
Nikon D800 + Zeiss Makro Planar T*2/100ZF.2 @ 1/200s + f/4 + ISO 100

So if you like observing people and life around you, if you have a natural empathy for strangers or if you are curious about how other people live their lives, then I think that street photography can be fulfilling to you as a photographer.

Marché des Jacobins
Fuji x-e1 + 35mmf/1.4 @ 1/2000s+f/1.4 + ISO 200

Otherwise there is nothing wrong with enjoying other peoples work and carrying on doing your own think. Don’t think you have to “do” street just because a lot of other people are.

Sony A7R + 35mmf/2.8 @ 1/800s + f/2.8 + ISO 100

What equipment do I need?

If I say that the equipment doesn’t matter, I would be telling the straight hard truth… but then why does this question always crop up? The thing is, we photographers, and me included, put a lot of time and effort in learning and researching about equipment instead of taking and editing photos. My conclusion is that the equipment we choose is really important to us personally. If we don’t like what we have then we cannot be creative as photographers. It is natural to evolve, we all suffer from G.A.S (gear acquisition syndrome) and we all know new equipment won’t make us better photographers. Ah, but I’m certain that is does… not because the equipment is better (even if it is) but because it gives us the extra push to go out and enjoy our photography. So let’s give in to G.A.S !

Olympus OMD-EM5 + 45mm f/1.8 @ 1/250s + F/2 + ISO 200

For those who are curious about what I use, I’m afraid I have to own up to a number of cameras and lenses… Having tried a lot of combinations, I am certain that mirrorless is the way to go. Just look at the different cameras I have used and I dare anyone to say that one camera is better than the others!

However, in street photography, discretion is good. Having a small bag, with just one camera and one lens is ideal. Your back and shoulders will thank you after a day out. I’ll make a post soon to compare the cameras I’ve owned and used and what I recommend.

Fuji X-T1 with 23mmf/1.4 @ 1/1400s + f/2 + ISO 200

That over with, and a brand new camera in hand, just open your front door and get out!